A work in constant progress (and occasional regress).
Elsa Brès (b. 1985) graduated from Le Fresnoy national studio of contemporary art (2017) & Paris-Belleville school of architecture (2012) -where she taught architecture and landscape theory. Her films and installations focus on forces of resistance in contemporary landscapes. She lives and works between the Cévennes and Paris.
Director:
2015 Atmosphere / 2C
2016 Stella 50.4N1.5E
2017 Love Canal
2018 OBERLUS
2019 Barricade
2020 Sweat
2021 Notes for les Sanglières
Director of Photography:
2015 Atmosphere / 2C
2016 Stella 50.4N1.5E
2017 Love Canal
2018 OBERLUS
2019 Barricade
2020 Sweat
2021 Notes for les Sanglières
Editor:
2015 Atmosphere / 2C
2016 Stella 50.4N1.5E
2017 Love Canal
2018 OBERLUS
2019 Barricade
2020 Sweat
2021 Notes for les Sanglières
Sound:
2015 Atmosphere / 2C
2016 Stella 50.4N1.5E
2017 Love Canal
2018 OBERLUS
2019 Barricade
2020 Sweat
2021 Notes for les Sanglières
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.