A work in constant progress (and occasional regress).
Alias:
Bruna Surfistinha
Birthplace:
Sorocaba, São Paulo, Brazil
Born:
October 28, 1984
Bruna Surfistinha (Portuguese for "Little Surfer Bruna") is the pen name of Raquel Pacheco[2] (born 28 October 1984), a Brazilian former sex worker who attracted the attention of Brazilian media by publishing, in a blog, her sexual experiences with clients. Bruna explained in television programs that she was a normal girl, who had been adopted by a high/middle-class family but that at around the age of 17 she left her home and her family because of the traditional family oriented views of her father and to start to live on her own. Bruna appeared in various television programs in Brazil and several periodicals and magazines. Her blog attracted more than 50,000 readers per day. She appeared in some pornographic films in Brazil. In 2005, she released a book entitled O Doce Veneno do Escorpião (The Scorpion's Sweet Venom).[3] In just over a month it sold over 30,000 copies in its third edition,[4] and became the best selling book in Brazil.[5] The book was translated into English and published by Bloomsbury Publishing in 2006.[6] Bruna's book also inspired the 2011 Brazilian film[7] Confessions of a Brazilian Call Girl, starring Deborah Secco in the main role, and the 2016 TV series Me Chama de Bruna, starring Maria Bopp in the main role. In 2011, Bruna also appeared in a Brazilian reality show called A Fazenda (local version of The Farm) finishing as the second runner-up (third place).[8] Confessions of a Brazilian Call Girl grossed $12,356,515 in Brazil, first national film after international films in the Brazil 2011 Box Office,[9] thanks to Bruna's popularity with the Brazilian public. Raquel Pacheco was born in Sorocaba, the result of a sexual assault her biological mother had suffered. Her mother decided to abandon her,[10] and within a few days the baby was in an orphanage. After a few months, she was adopted by an upper middle class Paulistana family. In interviews, she pointed out that the discovery of her adoption was one of the deciding factors for leaving home at 17, leaving a farewell letter. She also revealed in interviews that she was a very depressed child and adolescent, always socially isolated, and bullied for being withdrawn. She claims that, although she never lacked material goods, and was well educated in private schools, she did not receive much affection and attention from her parents, always being in the company of the nanny and maids. She was always the subject of humiliation by her brother, who never accepted the fact that her parents had adopted her and taken him from the position of only child, and therefore sole heir.
Assistant Director:
2007 Conceição - Autor Bom é Autor Morto
Book:
2007 Conceição - Autor Bom é Autor Morto
2011 Confessions of a Brazilian Call Girl
???? Confessions of a Brazilian Call Girl 2
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.