A work in constant progress (and occasional regress).
Alias:
Vishka Asaiesh
Vishka Asayesh
ویشکا آسایش
Birthplace:
Tehran, Iran
Born:
November 8, 1972
Vishka Asayesh was born on November 7, 1972 in Tehran. She is an Iranian actress, set designer and an art director. She obtained a degree in set design from the U.K. She is also a sculptor and has exhibited her art works at Etemad Gallery in Tehran in 2012. Vishka Asayesh is an Iranian actress, performer, art director, and sculptor. She became a household name following her portrayal of a female fatal in the epic hit TV series Imam Ali. She has been nominated 3 times for the best actress award of the Fajr Film Festival and won the Crystal Simorgh for best actress in a leading role in 2011 for No Men Allowed. This was the first time this award was bestowed to a female in a comedy role in the history of this festival. Her most successful films include No Men Allowed (2011), Sperm Whale (2015), Me and Sharmin (2017), The Good, the Bad & the Corny (2017), and Sly (2018). Her latest role is in The Badger (2020) and is a total shift from her comedy performances in recent years. Her stage performances include The Beauty Queen of Leenane (2013), a dramatic play written by Irish playwright Martin McDonagh, and Mississippi Dies Seated (2016), based on a play by Friedrich Dürrenmatt. Vishka was also nominated for the best leading actress award for her role in The Beauty Queen of Leenane by the 11th Iranian Theater Actor Festival. Sculpting is one of Vishka’s main passions apart from cinema and theater and she has already exhibited her art at Etemad and Assar galleries in Tehran and is currently working on her next exhibition due in 2020.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.