A work in constant progress (and occasional regress).
Nicolas Perret works as a visual effects colorist for film and television productions.
Assistant Director:
2004 One Fine Day, a Hairdresser
Color Designer:
2004 One Fine Day, a Hairdresser
2010 Benda Bilili!
Color Grading:
2004 One Fine Day, a Hairdresser
2006 L'Homme des Flandres
2010 Benda Bilili!
2018 The Last Secrets of the Nasca
2019 Interdependence
2019 Swan Lake
2020 Charlie Chaplin, The Genius of Liberty
2021 Jean Vilar, le rêve du théâtre pour tous
Color Timer:
2004 One Fine Day, a Hairdresser
2006 L'Homme des Flandres
2007 Drowned in Oblivion
2010 Benda Bilili!
2015 Rosehill
2018 The Last Secrets of the Nasca
2019 I See Red People
2019 Interdependence
2019 Je ne sais pas si c'est tout le monde
2019 Swan Lake
2020 Charlie Chaplin, The Genius of Liberty
2021 Jean Vilar, le rêve du théâtre pour tous
Colorist:
2004 One Fine Day, a Hairdresser
2006 L'Homme des Flandres
2007 Drowned in Oblivion
2010 Benda Bilili!
2015 Rosehill
2017 Every Wall is a Door
2017 Paris: A Wild Story
2018 A Season in France
2018 Grande-Synthe
2018 Man's First Friend
2018 The Last Secrets of the Nasca
2018 The Snow Wolf: A Winter's Tale
2019 Elliott Erwitt - Silence Sounds Good
2019 I See Red People
2019 Interdependence
2019 Je ne sais pas si c'est tout le monde
2019 Le King's College en musiques
2019 Swan Lake
2020 Betty Boop for ever
2020 Charlie Chaplin, The Genius of Liberty
2021 Dernier soleil
2021 Jean Vilar, le rêve du théâtre pour tous
2021 Lingui: The Sacred Bonds
2023 Kathryn Bigelow: Hollywood Adrenaline
Editor:
2004 One Fine Day, a Hairdresser
2006 L'Homme des Flandres
2007 Drowned in Oblivion
2010 Benda Bilili!
2015 Rosehill
2017 Every Wall is a Door
2017 Paris: A Wild Story
2018 A Season in France
2018 Grande-Synthe
2018 Man's First Friend
2018 The Last Secrets of the Nasca
2018 The Snow Wolf: A Winter's Tale
2019 Elliott Erwitt - Silence Sounds Good
2019 I See Red People
2019 Interdependence
2019 Je ne sais pas si c'est tout le monde
2019 Le King's College en musiques
2019 Swan Lake
2020 Betty Boop for ever
2020 Charlie Chaplin, The Genius of Liberty
2021 Dernier soleil
2021 Jean Vilar, le rêve du théâtre pour tous
2021 Lingui: The Sacred Bonds
2023 Kathryn Bigelow: Hollywood Adrenaline
Color Grading:
2014 39-45, de la France occupée à la France libérée
2020 70 Years of Youth Revolt
2023 Mafias and Banks
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.