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Sandy McLennan

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Biography from TheMovieDB

Sandy McLennan works with old and new photo imaging and sound recording media: right tool at the right time. He expresses current personal and state-of-the-world emotions via analogue motion pictures (Regular/Double 8mm, 16mm, super 8), photo paper imaging (pinhole camera, photograms, contact prints), portable and home darkroom thaumaturgy, digital sound recording/editing, video and installations. He leads workshops enabling the experience of slow time via old technology for many first-timers. He exhibits motion pictures, photography, installation/performance and sound.

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Additional information:

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Film Production

Director:
2019  Moving, Part One
2021  Moving, parts one and two
2022  Retide
2025  My Canada Train Journey
????  Intervals

First Assistant Camera:
2019  Hearts and Bones
2019  Moving, Part One
2021  Moving, parts one and two
2022  Retide
2025  My Canada Train Journey
????  Intervals

Second Assistant Camera:
2010  The Reef
2017  First Day
2019  Hearts and Bones
2019  Moving, Part One
2021  Moving, parts one and two
2022  Retide
2025  My Canada Train Journey
????  Intervals

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.