A work in constant progress (and occasional regress).
Robert Kirbyson is a filmmaker, screenwriter, and director known for his work on both television and film projects. He directed Snowmen (2010), an award-winning family-friendly movie that explores themes of friendship and legacy. His style often combines elements of humor and heart, with a focus on character-driven stories. In addition to directing, Kirbyson has a background in screenwriting, adding to his versatility in the industry. His projects often appeal to a broad audience and touch on relatable themes, making his work well-regarded, particularly in family and character-centered storytelling.
Cinematography:
2006 Free of Charge
???? Direct Lines
???? Revelations
Director:
2003 The Christmas Orange
2005 Pieces
2006 Free of Charge
2007 Ctrl Z
2007 Unlocked
2010 Snowmen
2013 Red Line
2015 In Memory
2016 In-Lawfully Yours
2017 Boone: The Bounty Hunter
???? Direct Lines
???? Nobody Special
???? Revelations
Producer:
2003 The Christmas Orange
2005 Pieces
2006 Free of Charge
2007 Ctrl Z
2007 Unlocked
2010 Snowmen
2013 Red Line
2015 In Memory
2016 In-Lawfully Yours
2017 Boone: The Bounty Hunter
???? Direct Lines
???? Nobody Special
???? Revelations
Screenplay:
2003 The Christmas Orange
2005 Pieces
2006 Free of Charge
2007 Ctrl Z
2007 Unlocked
2010 Snowmen
2013 Red Line
2015 In Memory
2016 In-Lawfully Yours
2017 Boone: The Bounty Hunter
???? Direct Lines
???? Nobody Special
???? Revelations
Writer:
2003 The Christmas Orange
2005 Pieces
2006 Free of Charge
2007 Ctrl Z
2007 Unlocked
2010 Snowmen
2013 Red Line
2015 In Memory
2016 In-Lawfully Yours
2017 Boone: The Bounty Hunter
???? Direct Lines
???? Nobody Special
???? Revelations
Creator:
2021 Wild West Chronicles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.