A work in constant progress (and occasional regress).
Alias:
Lilianna Plaskota
Birthplace:
Łódź, Polska
Born:
January 19, 1955
Makeup & Hair:
2021  Vivaldi: Stabat Mater
2023  Soulcatcher
Makeup Artist:
1986  Ga-ga: Glory to the Heroes
1986  H.M. Deserters
1989  Bliskie spotkania z wesołym diabłem
1996  Girl Guide
1996  Weekend Stories: A Woman's Business
1997  Weekend Stories: Little Faith
1997  Weekend Stories: The Soul Sings
1998  Weekend Stories: Deceptive Charm
1998  Weekend Stories: Dilatory Line
2001  Edges of the Lord
2001  Mister Blot's Triumph
2002  The Career of Nikos Dyzma
2011  Letters to Santa
2014  Citizen
2018  A Cat with a Dog
2019  Solid Gold
2020  25 Years of Innocence
2021  Vivaldi: Stabat Mater
2022  Johnny
2023  Soulcatcher
Makeup Department Head:
1986  Ga-ga: Glory to the Heroes
1986  H.M. Deserters
1989  Bliskie spotkania z wesołym diabłem
1995  The Man Who Reads Music From The Plates
1996  Girl Guide
1996  Weekend Stories: A Woman's Business
1997  Weekend Stories: Little Faith
1997  Weekend Stories: The Soul Sings
1998  Weekend Stories: Deceptive Charm
1998  Weekend Stories: Dilatory Line
2001  Edges of the Lord
2001  Mister Blot's Triumph
2002  The Career of Nikos Dyzma
2011  Letters to Santa
2014  Citizen
2018  A Cat with a Dog
2019  Solid Gold
2020  25 Years of Innocence
2021  The In-Laws
2021  Vivaldi: Stabat Mater
2022  Johnny
2023  Soulcatcher
2024  Drużyna AA
2024  Love Like Honey
Makeup Effects:
1986  Ga-ga: Glory to the Heroes
1986  H.M. Deserters
1989  Bliskie spotkania z wesołym diabłem
1995  The Man Who Reads Music From The Plates
1996  Girl Guide
1996  Weekend Stories: A Woman's Business
1997  Weekend Stories: Little Faith
1997  Weekend Stories: The Soul Sings
1998  Weekend Stories: Deceptive Charm
1998  Weekend Stories: Dilatory Line
2001  Edges of the Lord
2001  Mister Blot's Triumph
2002  The Career of Nikos Dyzma
2011  Letters to Santa
2014  Citizen
2018  A Cat with a Dog
2019  Solid Gold
2020  25 Years of Innocence
2021  The In-Laws
2021  Vivaldi: Stabat Mater
2022  Johnny
2023  Soulcatcher
2024  Drużyna AA
2024  Love Like Honey
Makeup Effects Designer:
1986  Ga-ga: Glory to the Heroes
1986  H.M. Deserters
1989  Bliskie spotkania z wesołym diabłem
1995  The Man Who Reads Music From The Plates
1996  Girl Guide
1996  Weekend Stories: A Woman's Business
1997  Weekend Stories: Little Faith
1997  Weekend Stories: The Soul Sings
1998  Weekend Stories: Deceptive Charm
1998  Weekend Stories: Dilatory Line
2001  Edges of the Lord
2001  Mister Blot's Triumph
2002  The Career of Nikos Dyzma
2011  Letters to Santa
2014  Citizen
2018  A Cat with a Dog
2019  Solid Gold
2020  25 Years of Innocence
2021  The In-Laws
2021  Vivaldi: Stabat Mater
2022  Johnny
2023  Soulcatcher
2024  Drużyna AA
2024  Love Like Honey
Makeup Department Head:
2023  Kres niewinności
2024  Detective Forst
Makeup Effects:
2023  Kres niewinności
2024  Detective Forst
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.