A work in constant progress (and occasional regress).
Alias:
Lilianna Plaskota
Birthplace:
Łódź, Polska
Born:
January 19, 1955
Makeup & Hair:
2021 Vivaldi: Stabat Mater
2023 Soulcatcher
Makeup Artist:
1986 Ga-ga: Glory to the Heroes
1986 The Deserters
1989 Bliskie spotkania z wesołym diabłem
1996 Girl Guide
1996 Weekend Stories: A Woman's Business
1997 Weekend Stories: Little Faith
1997 Weekend Stories: The Soul Sings
1998 Weekend Stories: Deceptive Charm
1998 Weekend Stories: Dilatory Line
2001 Edges of the Lord
2001 Mister Blot's Triumph
2002 The Career of Nikos Dyzma
2011 Letters to Santa
2014 Citizen
2018 A Cat with a Dog
2019 Solid Gold
2020 25 Years of Innocence
2021 Vivaldi: Stabat Mater
2022 Johnny
2023 Soulcatcher
Makeup Department Head:
1986 Ga-ga: Glory to the Heroes
1986 The Deserters
1989 Bliskie spotkania z wesołym diabłem
1995 The Man Who Reads Music From The Plates
1996 Girl Guide
1996 Weekend Stories: A Woman's Business
1997 Weekend Stories: Little Faith
1997 Weekend Stories: The Soul Sings
1998 Weekend Stories: Deceptive Charm
1998 Weekend Stories: Dilatory Line
2001 Edges of the Lord
2001 Mister Blot's Triumph
2002 The Career of Nikos Dyzma
2011 Letters to Santa
2014 Citizen
2018 A Cat with a Dog
2019 Solid Gold
2020 25 Years of Innocence
2021 The In-Laws
2021 Vivaldi: Stabat Mater
2022 Johnny
2023 Soulcatcher
2024 Love Like Honey
2024 Team A (A)
Makeup Effects:
1986 Ga-ga: Glory to the Heroes
1986 The Deserters
1989 Bliskie spotkania z wesołym diabłem
1995 The Man Who Reads Music From The Plates
1996 Girl Guide
1996 Weekend Stories: A Woman's Business
1997 Weekend Stories: Little Faith
1997 Weekend Stories: The Soul Sings
1998 Weekend Stories: Deceptive Charm
1998 Weekend Stories: Dilatory Line
2001 Edges of the Lord
2001 Mister Blot's Triumph
2002 The Career of Nikos Dyzma
2011 Letters to Santa
2014 Citizen
2018 A Cat with a Dog
2019 Solid Gold
2020 25 Years of Innocence
2021 The In-Laws
2021 Vivaldi: Stabat Mater
2022 Johnny
2023 Soulcatcher
2024 Love Like Honey
2024 Team A (A)
Makeup Effects Designer:
1986 Ga-ga: Glory to the Heroes
1986 The Deserters
1989 Bliskie spotkania z wesołym diabłem
1995 The Man Who Reads Music From The Plates
1996 Girl Guide
1996 Weekend Stories: A Woman's Business
1997 Weekend Stories: Little Faith
1997 Weekend Stories: The Soul Sings
1998 Weekend Stories: Deceptive Charm
1998 Weekend Stories: Dilatory Line
2001 Edges of the Lord
2001 Mister Blot's Triumph
2002 The Career of Nikos Dyzma
2011 Letters to Santa
2014 Citizen
2018 A Cat with a Dog
2019 Solid Gold
2020 25 Years of Innocence
2021 The In-Laws
2021 Vivaldi: Stabat Mater
2022 Johnny
2023 Soulcatcher
2024 Love Like Honey
2024 Team A (A)
Makeup Department Head:
2023 Kres niewinności
2024 Detective Forst
Makeup Effects:
2023 Kres niewinności
2024 Detective Forst
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.