A work in constant progress (and occasional regress).
Birthplace:
Vancouver, British Columbia, Canada
Born:
January 15, 1984
Danica Tsang is an Emmy and VES nominated VFX Producer. She is currently with Zoic Studios and has worked with Nitrogen Studios, Northwest Imaging & FX and Force Four Entertainment. She is known for her work on Sweet Tooth (2021), The Midnight Club (2022) and Salvation (2017).
Visual Effects Producer:
2019 Descendants 3
2024 Hold Your Breath
2025 Death of a Unicorn
Visual Effects Producer:
1998 Charmed
2011 Once Upon a Time
2016 Dead of Summer
2016 Shooter
2017 Salvation
2018 Sacred Lies
2018 Siren
2019 BH90210
2019 The Twilight Zone
2020 The Haunting of Bly Manor
2020 The Right Stuff
2021 Midnight Mass
2021 Resident Alien
2021 Sweet Tooth
2022 The Midnight Club
2024 Bad Monkey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.