A work in constant progress (and occasional regress).
Lilia Collar is a lead compositor at Digital Domain.
Compositing Artist:
2025 The Electric State
Compositing Lead:
2025 The Electric State
2025 Thunderbolts*
Digital Compositor:
2018 A New Girl in Paris!
2018 The Predator
2018 Welcome to Marwen
2019 Dark Phoenix
2019 The Aeronauts
2020 Artemis Fowl
2020 Jingle Jangle: A Christmas Journey
2020 Mulan
2020 Project Power
2020 The Midnight Sky
2021 Army of the Dead
2021 Spider-Man: No Way Home
2021 The Suicide Squad
2022 Black Panther: Wakanda Forever
2023 Blue Beetle
2023 PAW Patrol: The Mighty Movie
2025 The Electric State
2025 Thunderbolts*
Compositing Lead:
2023 Secret Invasion
2024 Agatha All Along
Digital Compositor:
2022 She-Hulk: Attorney at Law
2023 Secret Invasion
2024 Agatha All Along
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.