A work in constant progress (and occasional regress).
Camera Operator:
1994 Rangers Fc: Six in A Row- The Bluebells Are Blue
1997 Laudrup - The Joy Of Football
1999 Rangers FC: Battle of Britain - Rule Britannia
Director:
1994 Rangers Fc: Six in A Row- The Bluebells Are Blue
1997 Laudrup - The Joy Of Football
1998 Rangers FC: True Blues
1999 Andy Goram: The Goalie
1999 Rangers FC: Battle of Britain - Rule Britannia
2000 Glasgow Rangers: Greatest Rangers
2001 Ally McCoist - Still Having A Ball
2002 Rangers F.C - Barcelona ’72 European Cup Winner Cup
2003 Michael Mols: Behind the Smile
Editor:
1994 Rangers Fc: Six in A Row- The Bluebells Are Blue
1996 Francie & Josie: The Farewell Performance
1997 Laudrup - The Joy Of Football
1998 Glasgow Rangers: Moments to Remember
1998 Rangers FC: True Blues
1999 Andy Goram: The Goalie
1999 Rangers FC: Battle of Britain - Rule Britannia
2000 Glasgow Rangers: Greatest Rangers
2001 Ally McCoist - Still Having A Ball
2002 Rangers F.C - Barcelona ’72 European Cup Winner Cup
2003 Michael Mols: Behind the Smile
2003 Super Cooper: The Davie Copper Story
2007 Montserrat: Emerald of the Caribbean
Writer:
1994 Rangers Fc: Six in A Row- The Bluebells Are Blue
1996 Francie & Josie: The Farewell Performance
1997 Laudrup - The Joy Of Football
1998 Glasgow Rangers: Moments to Remember
1998 Rangers FC: True Blues
1999 Andy Goram: The Goalie
1999 Rangers FC: Battle of Britain - Rule Britannia
2000 Glasgow Rangers: Greatest Rangers
2001 Ally McCoist - Still Having A Ball
2002 Rangers F.C - Barcelona ’72 European Cup Winner Cup
2003 Michael Mols: Behind the Smile
2003 Super Cooper: The Davie Copper Story
2007 Montserrat: Emerald of the Caribbean
Director:
2017 Chicken Girls
2021 Charmers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.