A work in constant progress (and occasional regress).
Alias:
Dr. Paul Espinosa
Paul Espinosa is an award-winning filmmaker and anthropologist who has worked at the intersection of social justice, media culture and Latino history over the last 40 years. He is the President/CEO of Espinosa Productions, a film and video company specializing in both documentary and narrative films focused on the U.S.-Mexico border region. Espinosa holds a BA from Brown University and a PhD from Stanford University where he explored connections between media and anthropology. He is Professor Emeritus and a founding faculty member in the School of Transborder Studies at Arizona State University and is a frequent guest lecturer at colleges and universities around the country. Espinosa has worked with the public television stations in San Diego and Dallas as a Senior Producer and Executive Producer. His films have been screened at festivals around the world and have won many awards including eight Emmys. Espinosa has shared his expertise, experience and social activism at many universities and community centers across the Americas. He has been honored with Paul Espinosa Film Festivals in Phoenix, Albuquerque, El Paso, and San Diego. The National Association of Hispanic Journalists inducted him into the NAHJ Hall of Fame and the California Chicano News Media Association honored him with a Lifetime Achievement Award. He received the Outstanding Latino Cultural Award in Performing Arts from the American Association of Hispanics in Higher Education; the Domingo Ulloa Cultural Worker Award from California Rural Legal Assistance in recognition of his contributions to public understanding of the experiences of Mexican origin peoples in the United States; and he was honored with the Hispanic Heritage Month Resolution presented on the floor of the U.S. House of Representatives in Washington DC. Espinosa is a Board Member of the Media Arts Center of San Diego and is a member of the National Association of Latino Independent Producers. He previously served on the Boards of the National Alliance for Media Arts and Culture (NAMAC) National Board, the Arizona Latino Arts & Culture Consortium, the Media Arts Center of San Diego (as President and Founding Board Member), the California Council for the Humanities, the Arizona Humanities Council and the Association of Independent Video and Filmmakers National Board (as Treasurer).
Director:
2018 Singing Our Way to Freedom
???? Culture Clash
???? Divided Lives
???? Searching for Padre Martinez
???? The Pass of the North
???? Uneasy Neighbors
Executive Producer:
1995 ...And the Earth Did Not Swallow Him
2018 Singing Our Way to Freedom
???? Culture Clash
???? Divided Lives
???? Searching for Padre Martinez
???? The Pass of the North
???? Uneasy Neighbors
Producer:
1983 Ballad of an Unsung Hero
1985 The Lemon Grove Incident
1995 ...And the Earth Did Not Swallow Him
2018 Singing Our Way to Freedom
???? Culture Clash
???? Divided Lives
???? In The Shadow Of The Law
???? Searching for Padre Martinez
???? The Hunt for Pancho Villa
???? The Pass of the North
???? Uneasy Neighbors
Writer:
1983 Ballad of an Unsung Hero
1985 The Lemon Grove Incident
1995 ...And the Earth Did Not Swallow Him
2018 Singing Our Way to Freedom
???? Culture Clash
???? Divided Lives
???? In The Shadow Of The Law
???? Los Mineros
???? Searching for Padre Martinez
???? The Hunt for Pancho Villa
???? The Pass of the North
???? Uneasy Neighbors
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.