A work in constant progress (and occasional regress).
Birthplace:
Ivry-sur-Seine, France
Born in 1946, in Ivry-Sur-Seine. She begins with the practice of photography and exhibits her work as soon as 1978. First, her discovery of Marguerite Duras with the dissociation between sounds and images, and then the films of Germaine Dulac, foster a growing interest for cinema and finally lead her to choose the Super-8 in 1982. In 1987 she shows her films to yann beauvais and Miles McKane. In 1984, she develops a peculiar skill consisting in hand painting directly on a Super-8 filmstrip. To complete this cinematographic practice, she starts classical painting in 1999.
Director:
1986 Clair de pluie
1986 Monet is Monet
1986 Mouvance exquise ou voyage intérieur
1986 À la recherches des Amazones
1988 Coup de Foudre Collectif
1988 Monodie parsemée
1988 Narcisse et Lilas
1989 Air qui erre
1990 Hambourg
1990 Juliette
1990 L'île d'Emain
1990 S......ELLE
1990 S......elle
1990 Éclats
1991 Autour d'une exposition
1991 Costa de Lavos
1991 Lande
1992 Sappho : poèmes et fragments
1992 Trois fantaisies tragiques
1992 Vulva
1993 Palme d'or
1995 Aréna
1995 Cypris
1995 Impressions
1995 Sans titres
1995 The Angel of Caroussel
1996 Songshu
1997 Encre 08/02/97
1999 Abstraction 1
1999 Tamaris
1999 Étude pour arbre seul
2001 Big Band
2004 Notre-Dame de Boschaud
2010 Fugue pour une bande magnétique (2)
2010 Gigue sur les rives
2010 La forêt fugitive
2010 Morgane River
2011 Ré La Belle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.