A work in constant progress (and occasional regress).
Assistant Camera:
2017 Inocentes
Cinematography:
2015 Quando bate aquela saudade
2017 Inocentes
2025 Zizi (or Praying to a Fabulous Tree)
Director of Photography:
2011 Duel Before Nightfall
2015 Quando bate aquela saudade
2017 Inocentes
2018 O Homem que Parou o Tempo
2019 Quatro Dias com Eduardo
2021 Madalena
2021 Peçanha Contra o Animal
2022 O País da Pornochanchada
2024 Carta a un Viejo Master
2025 Fuga
2025 Todo Mundo Ainda Tem Problemas Sexuais
2025 Zizi (or Praying to a Fabulous Tree)
???? FUGA
Editor:
2011 Duel Before Nightfall
2015 Quando bate aquela saudade
2017 Inocentes
2018 O Homem que Parou o Tempo
2019 Quatro Dias com Eduardo
2021 Madalena
2021 Peçanha Contra o Animal
2022 O País da Pornochanchada
2024 Carta a un Viejo Master
2025 Fuga
2025 Todo Mundo Ainda Tem Problemas Sexuais
2025 Zizi (or Praying to a Fabulous Tree)
???? FUGA
Second Assistant Camera:
2011 Duel Before Nightfall
2015 Quando bate aquela saudade
2017 Inocentes
2017 Nothing
2018 O Homem que Parou o Tempo
2019 Quatro Dias com Eduardo
2021 Madalena
2021 Peçanha Contra o Animal
2022 O País da Pornochanchada
2024 Carta a un Viejo Master
2025 Fuga
2025 Todo Mundo Ainda Tem Problemas Sexuais
2025 Zizi (or Praying to a Fabulous Tree)
???? FUGA
Steadicam Operator:
2011 Duel Before Nightfall
2015 Quando bate aquela saudade
2017 Inocentes
2017 Nothing
2018 O Homem que Parou o Tempo
2019 In the Heart of the World
2019 Quatro Dias com Eduardo
2021 Madalena
2021 Peçanha Contra o Animal
2022 O País da Pornochanchada
2024 Carta a un Viejo Master
2025 Fuga
2025 Todo Mundo Ainda Tem Problemas Sexuais
2025 Zizi (or Praying to a Fabulous Tree)
???? FUGA
Director of Photography:
2020 Confissões de Mulheres de 50
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.