Hans Karl Gottschalk

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Camera Operator:
1924  The Woman in Flames

Cinematography:
1920  Der Hund von Baskerville - 5 Teil: Dr. Macdonalds Sanatorium
1921  Das Floß der Toten
1922  Nathan der Weise
1923  Wüstenrausch
1924  The Woman in Flames
1931  White Ecstasy

Director of Photography:
1918  Liebe und Leben. 1. Die Seele des Kindes
1918  Liebe und Leben. 2. Die Tochter des Senators
1918  Liebe und Leben. 3. Zwei Welten
1919  Das Tor der Freiheit
1919  Verlorene Töchter 3. Teil - Die Menschen nennen es Liebe
1920  Der Hund von Baskerville - 5 Teil: Dr. Macdonalds Sanatorium
1920  Figaros Hochzeit
1921  Das Floß der Toten
1922  Nathan der Weise
1923  Wüstenrausch
1924  The Woman in Flames
1927  Hotelratten
1928  Der Piccolo vom Goldenen Löwen
1928  Flitterwochen
1931  White Ecstasy
1933  Kirche und Heimat
1938  Olympia: Part One – Festival of the Nations
1938  Olympia: Part Two – Festival of Beauty

Music:
1918  Liebe und Leben. 1. Die Seele des Kindes
1918  Liebe und Leben. 2. Die Tochter des Senators
1918  Liebe und Leben. 3. Zwei Welten
1919  Das Tor der Freiheit
1919  Verlorene Töchter 3. Teil - Die Menschen nennen es Liebe
1920  Der Hund von Baskerville - 5 Teil: Dr. Macdonalds Sanatorium
1920  Figaros Hochzeit
1921  Das Floß der Toten
1922  Nathan der Weise
1923  Wüstenrausch
1924  The Woman in Flames
1927  Hotelratten
1928  Der Piccolo vom Goldenen Löwen
1928  Flitterwochen
1931  White Ecstasy
1933  Kirche und Heimat
1938  Olympia: Part One – Festival of the Nations
1938  Olympia: Part Two – Festival of Beauty
????  Waves

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.