A work in constant progress (and occasional regress).
Camera Operator:
1924 The Woman in Flames
Cinematography:
1920 Der Hund von Baskerville - 5 Teil: Dr. Macdonalds Sanatorium
1921 Das Floß der Toten
1922 Nathan der Weise
1923 Wüstenrausch
1924 The Woman in Flames
1931 White Ecstasy
Director of Photography:
1918 Liebe und Leben. 1. Die Seele des Kindes
1918 Liebe und Leben. 2. Die Tochter des Senators
1918 Liebe und Leben. 3. Zwei Welten
1919 Das Tor der Freiheit
1919 Verlorene Töchter 3. Teil - Die Menschen nennen es Liebe
1920 Der Hund von Baskerville - 5 Teil: Dr. Macdonalds Sanatorium
1920 Figaros Hochzeit
1921 Das Floß der Toten
1922 Nathan der Weise
1923 Wüstenrausch
1924 The Woman in Flames
1927 Hotelratten
1928 Der Piccolo vom Goldenen Löwen
1928 Flitterwochen
1931 White Ecstasy
1933 Kirche und Heimat
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
Music:
1918 Liebe und Leben. 1. Die Seele des Kindes
1918 Liebe und Leben. 2. Die Tochter des Senators
1918 Liebe und Leben. 3. Zwei Welten
1919 Das Tor der Freiheit
1919 Verlorene Töchter 3. Teil - Die Menschen nennen es Liebe
1920 Der Hund von Baskerville - 5 Teil: Dr. Macdonalds Sanatorium
1920 Figaros Hochzeit
1921 Das Floß der Toten
1922 Nathan der Weise
1923 Wüstenrausch
1924 The Woman in Flames
1927 Hotelratten
1928 Der Piccolo vom Goldenen Löwen
1928 Flitterwochen
1931 White Ecstasy
1933 Kirche und Heimat
1938 Olympia: Part One – Festival of the Nations
1938 Olympia: Part Two – Festival of Beauty
???? Waves
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.