Home

Francisco Marise

Biography from TheMovieDB

Francisco Marise (1985, Argentina).  Is currently writing and developing CAMIONERO, his second feature film, which was awarded, among others, as the Best Project Award at the 10th Europe-Latin America Co-Production Forum at the 69th Donostia Zinemaldia San Sebastian International Film Festival (2021).  He is the director, screenwriter, DoP, film editor and producer on PARA LA GUERRA (To War), his debut feature film, premiered at the 66th Donostia Zinemaldia San Sebastian International Film Festival (2018). He has a Master's Degree in Documentary Film from the Escuela Internacional de Cine y Televisión (E.I.C.TV.), San Antonio de los Baños, Cuba. He also studied Image and Sound Design at the Universidad of Buenos Aires (U.B.A.), where he graduated in 2014.  He has taught film and documentary classes, courses and workshops at LENS, Escuela de Artes Visuales and NIC, Instituto del Cine de Madrid.  Among other filmmakers and artists, he has collaborated and worked with Matías Piñeiro, Sergio Oksman, Lois Patiño, José María Sicilia and Javier Rebollo.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
2018  To War
????  Camionero

Director of Photography:
2018  To War
2019  Oil on Wind
????  Camionero

Editor:
2018  To War
2019  Oil on Wind
2022  Amancay
2024  A Suburban Mythology
????  Camionero

Sound:
2018  To War
2019  Oil on Wind
2022  Amancay
2024  A Suburban Mythology
????  Camionero

Writer:
2018  To War
2019  Oil on Wind
2022  Amancay
2024  A Suburban Mythology
????  Camionero

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.