Sasie Sealy

Sasie Sealy is an award-winning writer/director based in New York City, with a (still) lingering Southern drawl. She began her directing career studying photography with Gregory Crewdson and writing and performing with the sketch comedy troupe The Fifth Humour. However, her love of striking visuals and physical comedy soon took cinematic form and a lifelong addiction to filmmaking was born.  Sasie's debut feature film Lucky Grandma premiered at the 2019 Tribeca Film Festival and had Sasie listed by The New York Times as one of "9 Filmmakers Who Should Be on Your Radar." The film was released theatrically earlier this year to rave reviews and has appeared on multiple "Best of 2020" lists, including from Indiewire, New York Magazine, and Refinery29. Sasie was also recently included on the 2020 Alice Initiative list of Emerging Female Directors. Her shorts have screened at the Smithsonian Institute and festivals around the world, and she has twice been awarded the short filmmaking prize at the Tribeca Film Festival, with New York Magazine calling her film The Elephant Garden "one of the most touching and poignant films we've seen this year." A fellowship and new short with HBO in 2014 led to a chance to direct episodic television and her first DGA nomination in 2016.  Sasie is also a member of Bullitt Branded, the filmmaking collective and creative studio founded by Justin Lin and the Russo Brothers. Fresh out of film school, she first made her mark in the commercial world of fashion and beauty, and she continues to direct projects for everyone from Maybelline to Calvin Klein. Her commercial work has been featured in Vogue, Glamour, Style.com, and Refinery29.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.