A work in constant progress (and occasional regress).
Kiel Figgins is an Associate Animation Supervisor at Industrial Light and Magic in London. His notable credits include Avatar: The Way of Water (2022), Eternals (2021), Jurassic World: Dominion (2022), Spider-Man: Far From Home (2020), Ready Player One(2018), Aladdin (2019), and Star Wars: The Rise of Skywalker (2019). Before joining ILM, Kiel held animation roles at several major studios, including Framestore and Double Negative in London, as well as Digital Domain, The Third Floor, Method Studios, and FuriousFX in Los Angeles.
Animation:
2010 Azureus Rising
2014 Polis
Animation Supervisor:
2010 Azureus Rising
2014 Polis
2022 Avatar: The Way of Water
2023 The Marvels
2024 Venom: The Last Dance
2025 The Fantastic Four: First Steps
CG Artist:
2010 Azureus Rising
2011 The Rum Diary
2014 Polis
2022 Avatar: The Way of Water
2023 The Marvels
2024 Venom: The Last Dance
2025 The Fantastic Four: First Steps
Lead Animator:
2010 Azureus Rising
2011 The Rum Diary
2014 Polis
2019 Aladdin
2021 Eternals
2022 ABBA Voyage
2022 Avatar: The Way of Water
2023 The Marvels
2024 Venom: The Last Dance
2025 The Fantastic Four: First Steps
Senior Animator:
2010 Azureus Rising
2011 The Rum Diary
2014 Polis
2016 Assassin's Creed
2016 Doctor Strange
2016 Miss Peregrine's Home for Peculiar Children
2017 Guardians of the Galaxy Vol. 2
2017 King Arthur: Legend of the Sword
2018 Ready Player One
2019 Aladdin
2019 Star Wars: The Rise of Skywalker
2021 Eternals
2022 ABBA Voyage
2022 Avatar: The Way of Water
2023 The Marvels
2024 Venom: The Last Dance
2025 The Fantastic Four: First Steps
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.