A work in constant progress (and occasional regress).
Birthplace:
Oporto, Portugal
Nuno Roque is a Portuguese artist, actor, singer-songwriter and director. His mother was a revue performer. He made his stage debut aged three at Coliseu do Porto and began a successful career as a child singer in Portugal. Roque's repertoire was known for employing a variety of musical styles, such as dance, rock, cha-cha-cha and most notably, pop. His main collaborator was record producer Tony Lemos. Throughout his early years, Roque won several awards at festivals and singing competitions and gained national recognition for his energetic television performances and androgynous image. In 1995, he released his first album, Brincar a Brincar, which compiled his most famous songs. He made his theatrical debut in São João National Theatre's production of The Resistible Rise of Arturo Ui by Bertolt Brecht. In 2005, he appeared in the first Portuguese production of The Laramie Project, directed by Diogo Infante, playing Matthew Shepard's murderer Aaron McKinney. In his adolescence, he studied theatre and film in Portugal (graduating from Academia Contêmporanea do Espectáculo – Escola de Artes), Brazil (where he was a student of Fábio Barreto and Augusto Boal at Casa de Artes das Laranjeiras in Rio de Janeiro) and France, where he graduated from the École Internationale de Théâtre Jacques Lecoq in Paris, studying physical theatre and other major dramatic territories, such as melodrama, mime, tragedy, commedia dell'arte, clowning and buffon. In France, his notable theatre appearances include C'était Marie-Antoinette at Festival de Radio France in 2009, Théâtre du Châtelet's production of The Magic Flute and Opéra National de Montpellier's production of Dido and Aeneas, playing The Sorceress. In 2011, he joined the troupe of Irina Brook, daughter of Peter Brook, on her production of Peter Pan at Théâtre de Paris. His performance as John Darling was praised for its employment of comedy, dance, singing, mime and acrobatics by Le Figaro, France Inter and Financial Times. In 2015, his work My Cake, was unveiled simultaneously in six European museums as part of Mons, European Capital of Culture. The art film was nominated for various art and music awards. In 2022, he was nominated for the Prix Voltaire de la Photographie for his series of self-portraits Self-Reflections (co-created with Gaudi Kaiser). On this occasion, the Centre des Monuments Nationaux exhibited Roque's work at the Château de Ferney-Voltaire and the Château de Bussy-Rabutin. In April 2017, he hosted Le Gros Journal talk show on Canal+, live from The Peninsula Paris palace with a segment titled Le Coup d'un Soir avec Nuno Roque (One Night Stand with Nuno Roque). In 2018, he made his feature-film debut playing an illiterate 20-year-old in Best Intentions, starring opposite Agnès Jaoui, and participated as a guest columnist in the program Bons Baisers d'Europe on France 2. ... Source: Article "Nuno Roque" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.