A work in constant progress (and occasional regress).
Director:
2007 Evanescence
2008 Fingal’s Cave
2008 Green Man
2008 Lament
2010 Alchemist
2010 Reflections, Inversions, Symmetries
2011 Diagram
2011 Mutus Floris
2012 Twelve Frames Left
2013 Cubiculum Umbrae
2013 The Rainbow
2014 Speculum
2015 Mercurious
2016 Five Angels
2016 Of The Excellency of Wheate
2018 Index
2018 Lumen
2018 Substitute
2019 Dead Metaphor
2019 Passage
2019 That Apart
2024 Evocation
Director of Photography:
2007 Evanescence
2008 Fingal’s Cave
2008 Green Man
2008 Lament
2010 Alchemist
2010 Reflections, Inversions, Symmetries
2011 Diagram
2011 Mutus Floris
2012 Twelve Frames Left
2013 Cubiculum Umbrae
2013 The Rainbow
2014 Speculum
2015 Mercurious
2016 Five Angels
2016 Of The Excellency of Wheate
2018 Index
2018 Lumen
2018 Substitute
2019 Dead Metaphor
2019 Passage
2019 That Apart
2024 Evocation
Editor:
2007 Evanescence
2008 Fingal’s Cave
2008 Green Man
2008 Lament
2010 Alchemist
2010 Reflections, Inversions, Symmetries
2011 Diagram
2011 Mutus Floris
2012 Twelve Frames Left
2013 Cubiculum Umbrae
2013 The Rainbow
2014 Speculum
2015 Mercurious
2016 Five Angels
2016 Of The Excellency of Wheate
2018 Index
2018 Lumen
2018 Substitute
2019 Dead Metaphor
2019 Passage
2019 That Apart
2024 Evocation
Sound Designer:
2007 Evanescence
2008 Fingal’s Cave
2008 Green Man
2008 Lament
2010 Alchemist
2010 Reflections, Inversions, Symmetries
2011 Diagram
2011 Mutus Floris
2012 Twelve Frames Left
2013 Cubiculum Umbrae
2013 The Rainbow
2014 Speculum
2015 Mercurious
2016 Five Angels
2016 Of The Excellency of Wheate
2018 Index
2018 Lumen
2018 Substitute
2019 Dead Metaphor
2019 Passage
2019 That Apart
2024 Evocation
Sound Recordist:
2007 Evanescence
2008 Fingal’s Cave
2008 Green Man
2008 Lament
2010 Alchemist
2010 Reflections, Inversions, Symmetries
2011 Diagram
2011 Mutus Floris
2012 Twelve Frames Left
2013 Cubiculum Umbrae
2013 The Rainbow
2014 Speculum
2015 Mercurious
2016 Five Angels
2016 Of The Excellency of Wheate
2018 Index
2018 Lumen
2018 Substitute
2019 Dead Metaphor
2019 Passage
2019 That Apart
2024 Evocation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.