A work in constant progress (and occasional regress).
Dialogue Editor:
2019 I See Red People
Production Sound Mixer:
2019 I See Red People
2019 Tiger
Sound:
2019 I See Red People
2019 Tiger
2022 Evil Seaweed
Sound Director:
2019 I See Red People
2019 Tiger
2022 Evil Seaweed
2022 La Vie
Sound Editor:
2010 Dounouia, la vie
2019 I See Red People
2019 Tiger
2021 Moscow 1996, Vote or Lose!
2022 Evil Seaweed
2022 La Vie
2023 Qu’est ce qu’on va penser de nous ?
Sound Engineer:
2010 Dounouia, la vie
2015 Lueurs
2019 I See Red People
2019 Tiger
2020 Felicità
2021 Moscow 1996, Vote or Lose!
2022 Evil Seaweed
2022 La Vie
2023 Qu’est ce qu’on va penser de nous ?
Sound Mixer:
2010 Dounouia, la vie
2015 Lueurs
2019 I See Red People
2019 Tiger
2020 Felicità
2021 Moscow 1996, Vote or Lose!
2022 Evil Seaweed
2022 La Vie
2023 Qu’est ce qu’on va penser de nous ?
Sound Recordist:
2010 Dounouia, la vie
2014 Lulu
2015 Lueurs
2019 I See Red People
2019 Tiger
2020 Felicità
2021 Moscow 1996, Vote or Lose!
2022 Evil Seaweed
2022 La Vie
2023 Qu’est ce qu’on va penser de nous ?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.