A work in constant progress (and occasional regress).
Birthplace:
Naples, Campania, Italy
Born:
August 15, 1925
Died:
February 1, 2015
Aldo Ciccolini (15 August 1925 – 1 February 2015) was an Italian pianist who became a naturalized French citizen in 1971. Aldo Ciccolini was born in Naples. His father, who bore the title of Marquis of Macerata, worked as a typographer. Aldo Ciccolini took his first lessons with Maria Vigliarolo d'Ovidio, and entered Naples Conservatory in 1934 at the age of 9, with special permission of the director, Francesco Cilea. There he studied piano with Paolo Denza, a pupil of Ferruccio Busoni, and harmony and counterpoint with Achille Longo. He began his performing career playing at the Teatro San Carlo at the age of 16. However, by 1946 he was forced to play in bars to support his family. In 1949, he won, ex-aequo (tied) with Ventsislav Yankov, the Marguerite Long - Jacques Thibaud Competition in Paris (among the other prizewinners were Paul Badura-Skoda and Pierre Barbizet). He became a French citizen in 1971 and taught at the Conservatoire de Paris from 1970–88, where his students included Akiko Ebi, Jean-Yves Thibaudet, Artur Pizarro, Géry Moutier, Nicholas Angelich, André Sayasov and Jean-Luc Kandyoti. Other students included Fabio Mengozzi, Francesco Libetta, Antonio Pompa-Baldi, Domenico Piccichè, Ivan Donchev and Jean-Marc Savelli. Ciccolini was a celebrated interpreter and advocate of the piano music of the French composers Camille Saint-Saëns, Maurice Ravel, Claude Debussy, Charles-Valentin Alkan and Erik Satie as well as that of less prominent composers such as Déodat de Séverac, Jules Massenet and Alexis de Castillon. Ciccolini was known for his having played the music of the Spanish composers Isaac Albéniz, Enrique Granados, and Manuel de Falla, as well as of Franz Liszt. Soprano Dame Elisabeth Schwarzkopf said of him "I have hardly met a more wonderful partner and a more delightful companion." On 9 December 1999, he celebrated a career in France spanning 50 years with a recital at the Théâtre des Champs-Élysées in Paris. In 2008, he was appointed commander of the French National Order of Merit. Aldo Ciccolini died on 1 February 2015 at his Paris residence, aged 89. Ciccolini made more than a hundred recordings for EMI-Pathé Marconi and other record companies, including the complete sonata cycles of Mozart and Beethoven, the complete solo piano work of Debussy and two separate cycles of the complete piano works of Satie. In 2002, Ciccolini was awarded the Diapason d'Or for his recording of the entire solo piano works of Janáček for Abeille Music and of Schumann for Cascavelles. His complete Beethoven sonata cycle was re-published by the Cascavelle label in 2006. He also recorded such unusual repertoire as selections from the Péchés de vieillesse by Rossini and the complete piano music of Massenet. Source: Article "Aldo Ciccolini" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.