A work in constant progress (and occasional regress).
Alias:
池添 俊
Birthplace:
Kanagawa, Japan
After working on independent films, I have recently been involved in film workshops produced by CO2 (Cineist Organization Osaka) and the independent film development and screening project JISYU. I am currently exploring new methods of movie expression that cross the boundaries between digital and film.
Cinematography:
2021 What is it that you said?
Director:
2018 Jujuba
2019 His/Her
2020 Dissociative Amnesia
2020 Oscillation
2021 See You In My Dreams
2021 What is it that you said?
2024 Hiroshima - Nagasaki
Director of Photography:
2018 Jujuba
2019 His/Her
2020 Dissociative Amnesia
2020 Oscillation
2021 See You In My Dreams
2021 What is it that you said?
2024 Hiroshima - Nagasaki
Editor:
2018 Jujuba
2019 His/Her
2020 Dissociative Amnesia
2020 Oscillation
2021 See You In My Dreams
2021 What is it that you said?
2024 Hiroshima - Nagasaki
Producer:
2018 Hizume
2018 Jujuba
2019 His/Her
2020 Dissociative Amnesia
2020 Oscillation
2021 See You In My Dreams
2021 What is it that you said?
2024 Hiroshima - Nagasaki
Screenplay:
2018 Hizume
2018 Jujuba
2019 His/Her
2020 Dissociative Amnesia
2020 Oscillation
2021 See You In My Dreams
2021 What is it that you said?
2024 Hiroshima - Nagasaki
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.