A work in constant progress (and occasional regress).
Marcos Bonisson is an artist with a Master degree in Science of Art (UFF) and PhD candidate in Contemporary Studies of the Arts (UFF). He lives and works in the city of Rio de Janeiro. He also holds a degree in Literature (UNESA) and a post-graduate degree in Art and Culture (UCAM). He studied engraving, drawing, cinema and photography at EAV Parque Lage (1977-1981). Participated in the 27th International Biennial of São Paulo in 2006. Published the book Arpoador (Editora Nau, 2011) and the catalog Pulsar (Binocular Publishing House, MAM, 2013). His most recent solo exhibitions were at the Museum of Modern Art in Rio de Janeiro in 2013 and the Maison Européenne de la Photographie (MEP-Paris) in 2015.
Director:
2016 Tupianas
2019 Kopacabana
2021 69
Director of Photography:
2003 Reinvenção da Rua
2003 The Sign of Chaos
2016 Tupianas
2019 Kopacabana
2021 69
Still Photographer:
1997 Razor in the Flesh
2003 Reinvenção da Rua
2003 The Sign of Chaos
2016 Tupianas
2019 Kopacabana
2021 69
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.