A work in constant progress (and occasional regress).
Ian Haig works across media, from video, sculpture, drawing, technology based media and installation. Haig’s practice refuses to accept that the low and the base level are devoid of value and cultural meaning. His body obsessed themes can be seen throughout a large body of work over the last twenty years. Previous works have looked to the contemporary media sphere and its relationship to the visceral body, the degenerative aspects of pervasive new technologies, to cultural forms of fanaticism and cults, to ideas of attraction and repulsion, body horror, the defamiliarisation and confrontation of the human body. His work has been exhibited in galleries and video/media festivals around the world. Including exhibitions at: The Australian Centre for Contemporary Art, Melbourne; The Ian Potter Museum of Art, Melbourne; The Experimental Art Foundation, Adelaide; The Australian Centre for the Moving Image, Melbourne; Gallery of Modern Art, Brisbane; The Museum of Modern Art, New York; Artec Biennale – Nagoya, Japan; Centre Georges Pompidou, Paris; China Millennium Monument Art Museum, Beijing; Museum Villa Rot, Burgrieden-Rot, Germany; The Havana Biennial, Cuba. In addition his video work has screened in over 150 festivals internationally including The Ann Arbor film festival, US and VideoBrasil, Sao Paulo, Brazil. In 2003 he received a fellowship from the New Media Arts Board of the Australia Council and in 2013 and 2017 he curated the video art shows Unco and Very Unco at The Torrance Art Museum in Los Angeles.
Director:
1992 K-Rad Man
2018 The Foaming Node
2020 On a Clear Day You Can See Forever
2022 Alien vs Predator
2023 AI Lobotomy
2024 Useless Eaters
???? Video Streaming Service
???? Worm Pornography
Editor:
1992 K-Rad Man
2018 The Foaming Node
2020 On a Clear Day You Can See Forever
2022 Alien vs Predator
2023 AI Lobotomy
2024 Useless Eaters
???? Video Streaming Service
???? Worm Pornography
Producer:
1992 K-Rad Man
2018 The Foaming Node
2020 On a Clear Day You Can See Forever
2021 Burnout: The Truth about Work
2022 Alien vs Predator
2023 AI Lobotomy
2024 Useless Eaters
???? Video Streaming Service
???? Worm Pornography
Writer:
1992 K-Rad Man
2018 The Foaming Node
2020 On a Clear Day You Can See Forever
2021 Burnout: The Truth about Work
2022 Alien vs Predator
2023 AI Lobotomy
2024 Useless Eaters
???? Video Streaming Service
???? Worm Pornography
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.