A work in constant progress (and occasional regress).
Alias:
こでらかずひさ
小寺 和久
Birthplace:
Osaka, Japan
Born:
February 5, 1983
Born in Osaka Prefecture. After gaining experience as a company employee at Sharp Corporation and KADOKAWA Co., Ltd., he moved on to the path of scriptwriting, which he started as a hobby, and is now active as a freelance scriptwriter.
Co-Writer:
2022 Missing
Screenplay:
2017 Innocent of Blood
2019 Day and Night
2022 Missing
2022 Sweet Bitter Candy
2024 Faceless
Screenstory:
2017 Innocent of Blood
2019 Day and Night
2022 Missing
2022 Sarah's Holiday
2022 Sweet Bitter Candy
2024 Faceless
Teleplay:
2016 Bōkyō
2017 Innocent of Blood
2019 Day and Night
2022 Missing
2022 Sarah's Holiday
2022 Sweet Bitter Candy
2024 Faceless
Writer:
2016 Bōkyō
2017 Innocent of Blood
2019 Day and Night
2021 The End of the Pale Hour
2022 Missing
2022 Sarah's Holiday
2022 Sweet Bitter Candy
2024 Faceless
Screenplay:
2021 Avalanche
2021 Trapped Lemming
Teleplay:
2020 PIPLE: My Married Life with an AI
2021 Avalanche
2021 Trapped Lemming
Writer:
2020 PIPLE: My Married Life with an AI
2021 Avalanche
2021 Trapped Lemming
2022 Isn't It a Bad Guy?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.