A work in constant progress (and occasional regress).
Executive Producer:
2021 La mirada incendiada
Location Manager:
2006 Rojo: La película
2009 La Gabriela: Una historia sobre Gabriela Mistral
2011 Baby Shower
2013 Dog Flesh
2021 La mirada incendiada
Production Assistant:
2006 Rojo: La película
2008 The Good Life
2009 La Gabriela: Una historia sobre Gabriela Mistral
2011 Baby Shower
2013 Dog Flesh
2021 La mirada incendiada
Production Manager:
2006 Rojo: La película
2008 The Good Life
2009 La Gabriela: Una historia sobre Gabriela Mistral
2011 Baby Shower
2013 Dog Flesh
2016 Argentino QL
2017 Johnny 100 Pesos: Chapter Two
2021 A Place Called Dignity
2021 La mirada incendiada
Creator:
2017 62: Historia de un mundial
Executive Producer:
2017 62: Historia de un mundial
Production Director:
2017 62: Historia de un mundial
2019 Amor en línea
Writer:
2017 62: Historia de un mundial
2019 Amor en línea
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.