A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
June 2, 1961
From Wikipedia, the free encyclopedia Alejandro Agresti (born June 2, 1961 in Buenos Aires) is an Argentine film director and producer. He has become increasingly influential in the United States and directed The Lake House with top Hollywood actors Sandra Bullock and Keanu Reeves in 2006. Description above from the Wikipedia Alejandro Agresti, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Camera Operator:
1994 The Act in Question
Cinematography:
1991 Sahara Sandwich
1994 The Act in Question
2003 The Master and His Pupil
2013 We're No Animals
Director:
1986 El hombre que ganó la razón
1987 Love Is a Fat Woman
1989 Secret Wedding
1990 City Life
1990 Luba
1991 Figaro Story
1991 Sahara Sandwich
1992 Everybody Wants to Help Ernest
1992 Modern Crimes
1994 Hexagon
1994 The Act in Question
1996 Buenos Aires viceversa
1998 La cruz
1998 Wind with the Gone
2000 A Night with Sabrina Love
2002 Valentin
2003 The Master and His Pupil
2004 A Less Bad World
2006 The Lake House
2013 We're No Animals
2015 Surviving the 70's
2024 What We Wanted to Be
Director of Photography:
1986 El hombre que ganó la razón
1987 Love Is a Fat Woman
1989 Secret Wedding
1990 City Life
1990 Luba
1991 Figaro Story
1991 Sahara Sandwich
1992 Everybody Wants to Help Ernest
1992 Modern Crimes
1994 Hexagon
1994 The Act in Question
1996 Buenos Aires viceversa
1998 La cruz
1998 Wind with the Gone
2000 A Night with Sabrina Love
2002 Valentin
2003 The Master and His Pupil
2004 A Less Bad World
2006 The Lake House
2013 We're No Animals
2015 Surviving the 70's
2024 What We Wanted to Be
Editor:
1986 El hombre que ganó la razón
1987 Love Is a Fat Woman
1989 Secret Wedding
1990 City Life
1990 Luba
1991 Figaro Story
1991 Sahara Sandwich
1992 Everybody Wants to Help Ernest
1992 Modern Crimes
1994 Hexagon
1994 The Act in Question
1996 Buenos Aires viceversa
1998 La cruz
1998 Wind with the Gone
2000 A Night with Sabrina Love
2002 Valentin
2003 The Master and His Pupil
2004 A Less Bad World
2006 The Lake House
2013 We're No Animals
2015 Surviving the 70's
2024 What We Wanted to Be
Music:
1986 El hombre que ganó la razón
1987 Love Is a Fat Woman
1989 Secret Wedding
1990 City Life
1990 Luba
1991 Figaro Story
1991 Sahara Sandwich
1992 Everybody Wants to Help Ernest
1992 Modern Crimes
1994 Hexagon
1994 The Act in Question
1996 Buenos Aires viceversa
1998 La cruz
1998 Wind with the Gone
2000 A Night with Sabrina Love
2002 Valentin
2003 The Master and His Pupil
2004 A Less Bad World
2006 The Lake House
2013 We're No Animals
2015 Surviving the 70's
2024 What We Wanted to Be
Producer:
1986 El hombre que ganó la razón
1987 Love Is a Fat Woman
1989 Secret Wedding
1990 City Life
1990 Luba
1991 Figaro Story
1991 Sahara Sandwich
1992 Everybody Wants to Help Ernest
1992 Modern Crimes
1992 Rapado
1994 Hexagon
1994 The Act in Question
1996 Buenos Aires viceversa
1998 La cruz
1998 Wind with the Gone
2000 A Night with Sabrina Love
2002 Valentin
2003 The Master and His Pupil
2004 A Less Bad World
2006 The Lake House
2013 We're No Animals
2015 Surviving the 70's
2024 What We Wanted to Be
Writer:
1986 El hombre que ganó la razón
1987 Love Is a Fat Woman
1989 Secret Wedding
1990 City Life
1990 Luba
1991 Figaro Story
1991 Sahara Sandwich
1992 Everybody Wants to Help Ernest
1992 Modern Crimes
1992 Rapado
1994 Hexagon
1994 The Act in Question
1996 Buenos Aires viceversa
1998 La cruz
1998 Wind with the Gone
2000 A Night with Sabrina Love
2002 Valentin
2003 The Master and His Pupil
2004 A Less Bad World
2006 The Lake House
2013 We're No Animals
2015 Surviving the 70's
2024 What We Wanted to Be
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.