Giles Sherwood
A work in constant progress (and occasional regress).
Editor:
2013 Giving Up the Ghost
2013 The Film That Warped Too Much: A Restoration Demonstration
Online Editor:
2013 Functions of Film Sound
2013 Giving Up the Ghost
2013 The Film That Warped Too Much: A Restoration Demonstration
2015 Babe Ruth Footage
Post Production Supervisor:
2013 Functions of Film Sound
2013 Giving Up the Ghost
2013 The Film That Warped Too Much: A Restoration Demonstration
2015 Babe Ruth Footage
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Jill Drew and D.A. Pennebaker
2016 Robert Drew & Associates at the Museum of Tolerance
2016 Way Out on a Limb
2017 Off the Hook: The Making of 'The Lure'
2018 Dietrich Icon
2018 Homay King on 'Shanghai Express'
2018 Weimar on the Pacific
2019 Evan Dalton Smith on Andy Griffith
2019 George Stevens Jr. On 'Swing Time'
2019 Herschell Gordon Lewis: The Godfather of Gore
2019 In Full Swing
2019 Jay Cocks and Farran Smith Nehme on 'The Heiress'
2019 Mia Mask On Bojangles Of Harlem
2019 Ozu & Noda
2019 Poisoned Romance
2019 Ron Briley on 'A Face in the Crowd'
2020 Miranda July: Where it Began
2020 The Making of "Marriage Story"
2021 Passion Project
2021 Undressing a Legacy
2022 A Visit to the Pixar Living Archive
2022 Anatomy of a Scene: The Plant
2022 Making The Worst Person in the World
2022 Reflecting On Take Out
2022 Where It Began: The Origins of WALL·E
Post-Production Manager:
2013 Functions of Film Sound
2013 Giving Up the Ghost
2013 The Film That Warped Too Much: A Restoration Demonstration
2015 Babe Ruth Footage
2016 Andrew Cohen on Crisis and Its Outtakes
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Jill Drew and D.A. Pennebaker
2016 Robert Drew & Associates at the Museum of Tolerance
2016 Way Out on a Limb
2017 Off the Hook: The Making of 'The Lure'
2018 Dietrich Icon
2018 Homay King on 'Shanghai Express'
2018 Weimar on the Pacific
2019 Evan Dalton Smith on Andy Griffith
2019 George Stevens Jr. On 'Swing Time'
2019 Herschell Gordon Lewis: The Godfather of Gore
2019 In Full Swing
2019 Jay Cocks and Farran Smith Nehme on 'The Heiress'
2019 Mia Mask On Bojangles Of Harlem
2019 Ozu & Noda
2019 Poisoned Romance
2019 Ron Briley on 'A Face in the Crowd'
2020 Miranda July: Where it Began
2020 The Making of "Marriage Story"
2021 Passion Project
2021 Undressing a Legacy
2022 A Visit to the Pixar Living Archive
2022 Anatomy of a Scene: The Plant
2022 Making The Worst Person in the World
2022 Reflecting On Take Out
2022 Where It Began: The Origins of WALL·E
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.