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Julie Sussman

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Film Production

Photo Retouching:
2013  Functions of Film Sound
2013  Giving Up the Ghost
2014  Between Horror, Fear, and Beauty
2014  Erik Skjoldbjærg and Stellan Skarsgard on 'Insomnia'
2014  John Bailey on Freddie Francis
2015  Emotional Uncertainties
2015  Jackie Coogan: The First Child Star
2016  Andrew Cohen on Crisis and Its Outtakes
2016  Robert Drew & Associates at the Museum of Tolerance
2016  Sharon Malone and Eric Holder
2016  The Way of Folk
2018  Dietrich Icon
2018  Homay King on 'Shanghai Express'
2018  Weimar on the Pacific
2019  Evan Dalton Smith on Andy Griffith
2019  Jay Cocks and Farran Smith Nehme on 'The Heiress'
2019  Ozu & Noda
2019  Ron Briley on 'A Face in the Crowd'
2019  Sniffing Out ‘Polyester’
2020  Miranda July: Where it Began
2021  Passion Project
2022  (There Is No) Cure
2022  A Visit to the Pixar Living Archive
2022  Anatomy of a Scene: The Plant
2022  Where It Began: The Origins of WALL·E

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.