A work in constant progress (and occasional regress).
Camera Operator:
2019 Plot
2025 Strawberry Fields Forever
Cinematography:
2018 Behind Our Eyes
2019 A Fool God
2019 Plot
2025 Strawberry Fields Forever
Color Grading:
2018 Behind Our Eyes
2019 A Fool God
2019 Plot
2020 At the Entrance of the Night
2023 Fragments pour un film imaginaire
2023 Le Prénom
2024 Le Fils
2025 Strawberry Fields Forever
Colorist:
2018 Behind Our Eyes
2018 L'oreille décollée
2019 A Fool God
2019 Plot
2020 At the Entrance of the Night
2023 Fragments pour un film imaginaire
2023 Le Prénom
2024 Gold Songs
2024 Le Fils
2025 Strawberry Fields Forever
Director of Photography:
2012 The Death of the Wolf
2018 Behind Our Eyes
2018 L'oreille décollée
2018 Marseille, to the Moon and Back
2018 You're Lost Little Girl
2019 A Fool God
2019 Je vais là-bas aussi
2019 Plot
2019 Tout est vrai (All Is True)
2020 At the Entrance of the Night
2020 Love Hurts
2020 The Spark
2021 The Blackbird Group
2022 Libre Garance !
2022 Manta Ray
2022 Out of the Blue
2023 Fragments pour un film imaginaire
2023 Invisibles
2023 Le Prénom
2024 Cabo Negro
2024 Gold Songs
2024 I'll Have an Island
2024 Le Fils
2025 Strawberry Fields Forever
???? L'aînée
???? Les Matins merveilleux
Second Assistant Camera:
2008 Stella
2012 The Death of the Wolf
2018 Behind Our Eyes
2018 L'oreille décollée
2018 Marseille, to the Moon and Back
2018 You're Lost Little Girl
2019 A Fool God
2019 Je vais là-bas aussi
2019 Plot
2019 Tout est vrai (All Is True)
2020 At the Entrance of the Night
2020 Love Hurts
2020 The Spark
2021 The Blackbird Group
2022 Libre Garance !
2022 Manta Ray
2022 Out of the Blue
2023 Fragments pour un film imaginaire
2023 Invisibles
2023 Le Prénom
2024 Cabo Negro
2024 Gold Songs
2024 I'll Have an Island
2024 Le Fils
2025 Strawberry Fields Forever
???? L'aînée
???? Les Matins merveilleux
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.