A work in constant progress (and occasional regress).
Romanna Lobach was already acting in films at 11 years old and by 2013 she had graduated from Athens Conservatoire Drama School with a B.A. in acting. She has performed in over 25 feature films and shorts that have premiered in festivals such as Cannes, Venice, Rotterdam, and New York, among others, winning awards at festivals in Greece and abroad for some of her most recent work; Olla (Ariane Labed, 2019), I don't want to forget anything (Vaggelio Soumeli 2021) and March 4 (Dimitris Nakos, 2015). Her work at the McCann advertising agency as a copywriter and also working for various production companies in a multitude of different posts, equipped her with invaluable experience and training. In 2018, she founded AKRAN Creative Company, a boutique production house where as a producer and creative director she's developing multiple projects with emerging directors of bold and unique voice. The past two years, she attended European Short Pitch, Torino Short Film Market, Brussels Co-Production Forum and Crossroads Co-Production Forum at Thessaloniki IFF with projects in development, while she has finished 9 films in two years, with the most recent of Manolis Mavris, Midnight Skin, which premiered in 62nd Semaine de la Critique in Cannes 2023. Romanna is an alumna of Berlinale and Sarajevo Talents, Locarno Industry Days and New Producers Room in Cannes Court Métrage, spotlit producer at Marche du Film 2023 and a member of the Hellenic Film Academy and Hellenic Producer's Association.
Producer:
2022 Poppies And Ducks
2023 Midnight Skin
2024 Phoebe
2025 September Says
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.