A work in constant progress (and occasional regress).
Ari Costa is Senior Vice President of Physical Production at AGBO. He recently released his directorial debut, All Fun and Games, produced under the Gozie Agbo banner, which champions emerging filmmakers. All Fun and Games was co-written and co-directed by Ari Costa and Eren Celeboglu. Among other film and TV projects for AGBO, Ari was a co-producer on Mosul for Netflix and an executive producer on Netflix mega-hits Extraction and Extraction 2 starring Chris Hemsworth. Ari has been working with the Russo Brothers since 2010 and was an associate producer on the record-breaking box office hits Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame. Previously, Ari was in comedy development at NBC on the critically acclaimed, Golden Globe Award-winning shows “The Office,” “30 Rock,” and “Parks and Recreation.” He holds a BA in Film Studies from Emerson College in Boston at Emerson College in Boston before moving to Los Angeles in 2008.
Associate Producer:
2019 Avengers: Endgame
Co-Writer:
2019 Avengers: Endgame
2023 All Fun and Games
Director:
2012 Leader of the Pack
2018 The Bride
2019 Avengers: Endgame
2020 The Internet Kills
2023 All Fun and Games
Executive Producer:
2012 Leader of the Pack
2018 The Bride
2019 Avengers: Endgame
2020 Extraction
2020 The Internet Kills
2023 All Fun and Games
Second Unit Director:
2012 Leader of the Pack
2018 The Bride
2019 Avengers: Endgame
2020 Extraction
2020 The Internet Kills
2023 All Fun and Games
Story:
2012 Leader of the Pack
2018 The Bride
2019 Avengers: Endgame
2020 Extraction
2020 The Internet Kills
2023 All Fun and Games
Writer:
2012 Leader of the Pack
2018 The Bride
2019 Avengers: Endgame
2020 Extraction
2020 The Internet Kills
2023 All Fun and Games
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.