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Mauricio Sánchez Arias

Birthplace:
Querétaro, Mexico

Biography from TheMovieDB

Mauricio Sánchez Arias is an experimental filmmaker and cinematographer based in Mexico City. He graduated from ENAC-UNAM with a specialty in cinematography. While he works primarily as a cinematographer and colorist, he is also devoted to teaching, promoting as well as implementing horizontal and eco-friendly business schemes within the film industry.

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Additional information:

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Film Performances

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Film Production

Cinematography:
????  Cold War

Colorist:
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six

Director:
2016  El pozo
2022  Tell everybody I'm back in town
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Director of Photography:
2016  El pozo
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Editor:
2016  El pozo
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Executive Producer:
2016  El pozo
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Post Producer:
2016  El pozo
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Producer:
2016  El pozo
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Screenplay:
2016  El pozo
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Sound Designer:
2016  El pozo
2018  Men do not sham convulsion
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

Sound Recordist:
2016  El pozo
2018  Men do not sham convulsion
2019  B2
2020  VII Domitilas
2022  Tell everybody I'm back in town
2022  Todo lo que nos falta
2023  When I Hear You Sing, I Forget
????  Cold War
????  Interior Six
????  La verticalidad desahuciada
????  gaps
????  las imágenes cristal de nuestra ciudad

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.