A work in constant progress (and occasional regress).
Tulapop Saenjaroen (Thailand) is an artist and filmmaker currently based in Bangkok. His recent works interrogate the correlations between image production and production of subjectivity as well as the paradoxes intertwining control and freedom in late capitalism. In combining narrative and the essay film genre, he investigates subjects such as tourism, self care and free labor through re-making and re-interpreting produced images and their networks. Saenjaroen received his MFA in Fine Art Media from The Slade School of Fine Art and MA in Aesthetics and Politics from CalArts.
Assistant Director of Photography:
2009 Mundane History
BTS Photographer:
2009 Mundane History
2019 Nakorn-Sawan
Co-Producer:
2009 Mundane History
2019 Nakorn-Sawan
2021 Come Here
Director:
2008 The Return
2009 Mundane History
2016 Nightfall
2018 A Room with a Coconut View
2019 Nakorn-Sawan
2020 People on Sunday
2021 Come Here
2021 Notes from the Periphery
2021 Squish!
2023 Mangosteen
Editor:
2008 The Return
2009 Mundane History
2016 Nightfall
2018 A Room with a Coconut View
2019 Nakorn-Sawan
2020 People on Sunday
2021 Come Here
2021 Notes from the Periphery
2021 Squish!
2023 Mangosteen
Producer:
2008 The Return
2009 Mundane History
2016 Nightfall
2018 A Room with a Coconut View
2019 Nakorn-Sawan
2020 People on Sunday
2021 Come Here
2021 Lemongrass Girl
2021 Notes from the Periphery
2021 Squish!
2023 Mangosteen
Writer:
2008 The Return
2009 Mundane History
2016 Nightfall
2018 A Room with a Coconut View
2019 Nakorn-Sawan
2020 People on Sunday
2021 Come Here
2021 Lemongrass Girl
2021 Notes from the Periphery
2021 Squish!
2023 Mangosteen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.