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Dave Dalley

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Alias:
David Dally

Biography from TheMovieDB

Dave Dally joined Industrial Light & Magic, Singapore, in 2010 as a Compositing Supervisor/Lead. Since 2014, his role has been as an Associate VFX Supervisor in Singapore, and he has been part of the Sydney team since the studio's opening in 2019.  Dally has worked on several Hollywood blockbusters, including Avengers - End Game, Ready Player One, Star Wars - The Force Awakens, Rogue One, and Transformers - Dark of the Moon. He graduated from Monash University with a Bachelor of Arts in Graphic Design and has 25+ years of experience in the broadcast and visual effects industry.  Before ILM, he was at Animal Logic, Sydney, and has worked on Zach Snyder's 300 & Sucker Punch, Baz Luhrmann's Australia, and earlier in his career, Lord of the Rings and The Matrix - Reloaded  Information above via their Industrial Light & Magic Official Site Bio.

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Additional information:

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Film Production

2D Supervisor:
2008  Australia

Visual Effects Supervisor:
2008  Australia
2015  Star Wars: The Force Awakens
2016  Rogue One: A Star Wars Story
2018  Ant-Man and the Wasp
2023  Dungeons & Dragons: Honor Among Thieves
2023  The Creator
2025  Superman

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.