A work in constant progress (and occasional regress).
Director:
2017 The Girls Who Were Not Afraid
2019 Letters to Claudia
???? Los peces raros
Director of Photography:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2019 Letters to Claudia
2020 Vera
2023 Being Seen
???? Los peces raros
Editor:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2019 Letters to Claudia
2019 Matinee
2020 Vera
2023 Being Seen
???? Canis familiaris
???? Los peces raros
Focus Puller:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2019 Letters to Claudia
2019 Matinee
2020 Vera
2023 Being Seen
2024 Tlön
???? Canis familiaris
???? Los peces raros
Post Producer:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2019 Letters to Claudia
2019 Matinee
2020 Vera
2023 Being Seen
2024 Tlön
???? Canis familiaris
???? Los peces raros
Producer:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2019 Letters to Claudia
2019 Matinee
2020 Vera
2023 Being Seen
2024 Tlön
???? Canis familiaris
???? Los peces raros
Screenplay:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2018 We Are Still Here
2019 Letters to Claudia
2019 Matinee
2020 Vera
2023 Being Seen
2024 Tlön
???? Canis familiaris
???? Los peces raros
Sound:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2018 Potocine
2018 We Are Still Here
2019 Letters to Claudia
2019 Matinee
2020 Vera
2023 Being Seen
2024 Tlön
???? Canis familiaris
???? Los peces raros
Writer:
2017 Mina
2017 The Girls Who Were Not Afraid
2017 Tito's Life
2018 Potocine
2018 We Are Still Here
2019 Letters to Claudia
2019 Matinee
2020 Vera
2023 Being Seen
2024 Tlön
???? Canis familiaris
???? Los peces raros
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.