A work in constant progress (and occasional regress).
Alias:
Zoe Chasha Winters
Zoë Winters
Birthplace:
Santa Cruz, California, USA
Born:
February 20, 1985
Winters received a 2020 OBIE Award and Lucille Lortel Award nomination for Outstanding Lead Actress in a Play for HEROES OF THE FOURTH TURNING written by Will Arbery at Playwrights Horizons with direction by Danya Taymor. Zoë is familiar to New York theatre audiences from her performances in WHITE NOISE at THE PUBLIC, THE LAST MATCH at ROUNDABOUT, THE HARVEST at LCT3/Lincoln Center Theater, Ars Nova's production of SMALL MOUTH SOUNDS at the Signature Theatre about which The New Yorker wrote "...the phenomenal Zoë Winters...plays her anguish from the inside," New York Theatre Workshop's RED SPEEDO, Lincoln Center's SHOWS FOR DAYS, MUCH ADO ABOUT NOTHING at The Public Theater's Shakespeare in the Park, Soho Rep's Obie Award winning AN OCTOROON and NYTW's production of Caryl Churchill's LOVE AND INFORMATION at The Minetta Lane, for which she received rave reviews. Time Out declared "Winters...is one to watch out for - zesty, zany and vibrant, she completely reinvents herself with each new character. Give that gal a romantic comedy or an old-fashioned farce." In the New York Times, Elisabeth Vincentelli wrote: "Give this girl a vehicle already! Zoë Winters shined as an efficient sports therapist in "Red Speedo," a peppily manipulative religious leader in "The Harvest" and a hot mess grouchily attending a silent retreat in "Small Mouth Sounds." While this team player strives in ensembles, her droll humor and Swiss-quality timing make her ready for a lead." When Ms. Winters created the role of "Bec" in Amy Herzog's award winning 4000 MILES at Lincoln Center the New York Times said she was "excellent"; The New York Post called her "pitch perfect"; and Time Out described her "beautifully realized turns." Her other NY performances include the NY Times Critics' pick HATER at the Ohio Theatre and LOVE SONG at 59E59.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.