A work in constant progress (and occasional regress).
Margo Hall is an award winning actor, director, activist, educator, and newly appointed Artistic Director of the Lorraine Hansberry Theatre. She has graced Bay Area stages for 30 years as a performer and director. She recently appeared in the hit film BLINDSPOTTING with our own Oakland native Daveed Diggs and All Day and a Night on Netflix. She was last seen onstage in Exit Strategy at The Aurora Theater. She recently directed How I Learned What I Learned at Marin Theatre Company, BARBECUE (which she also starred in) and Red Velvet for SF Playhouse and Brownsville, b-side for tray for Shotgun Players. Other acting credits include: Marin Theater Company- JAZZ, Skeleton Crew, Gem of the Ocean, Fences and Seven Guitars. California Shakespeare Theater- God Person of Szechwan, Black Odyssey, Fences, Twelfth Night, A Midsummer Night’s Dream, A Raisin in the Sun, A Winter’s Tale, American Night: the Ballad of Juan Jose and SPUNK. American Conservatory Theater- Ah, Wilderness!, Once in a Lifetime and Marcus; or the Secret of Sweet. Aurora Theater- Trouble in Mind. Shotgun Players- A World in a Woman’s Hands, and Word for Word-All Aunt Hagar’s Children and The Blues I’m Playing. Her writing credits include The People’s Temple at Berkeley Repertory Theater, which won the Glickman award for best new play in the Bay Area for 2005, and, Be Bop Baby, a Musical Memoir, a semi-autobiographical piece at Z Space, featuring the Marcus Shelby 15 piece Orchestra. She is a founding member of Campo Santo, a long standing multicultural San Francisco based theater company and has directed, performed and collaborated on several new plays with artists such as Naomi Iizuka, Phillip Kan Gotanda, Sean San Jose, Octavio Solis Luis Saguar, and Jessica Hagedorn. She is also a professor at UC Berkeley and Chabot College in the Theater Department.
Director:
2021 [hieroglyph]
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.