A work in constant progress (and occasional regress).
Alias:
Diego R. Ruiz Velázquez
Diego Ruiz
Birthplace:
Ciudad de México, México
Mexican filmmaker and cinematographer. In 2015 he entered the Escuela Nacional de Artes Cinematográficas (ENAC), where he is currently working on his documentary thesis. His projects include "VII Domitilas", "Aquiles y las Tortugas" and "Boleros Pasajeros"; the first two are currently on tour of festivals and the last one is a documentary short film made for the website of The Guardian newspaper. He has also collaborated in Correspondencias: cine y pensamiento. And he has been a young jury in the FICG, in the Black Canvas FCC and, twice, in the CILECT Prize Competition.
Director:
2016 4 Cuadras
2016 Natura contra Natura
2020 VII Domitilas
Director of Photography:
2016 4 Cuadras
2016 Larga noche
2016 Natura contra Natura
2018 Suicidrag
2018 XXI Century Love
2020 I love to kill
2020 VII Domitilas
2022 Tell everybody I'm back in town
Editor:
2016 4 Cuadras
2016 Larga noche
2016 Natura contra Natura
2018 Suicidrag
2018 XXI Century Love
2020 I love to kill
2020 VII Domitilas
2022 Tell everybody I'm back in town
Producer:
2016 4 Cuadras
2016 Larga noche
2016 Natura contra Natura
2018 Suicidrag
2018 XXI Century Love
2019 B2
2020 I love to kill
2020 VII Domitilas
2022 Tell everybody I'm back in town
Screenplay:
2016 4 Cuadras
2016 Larga noche
2016 Natura contra Natura
2018 Suicidrag
2018 XXI Century Love
2019 B2
2020 I love to kill
2020 VII Domitilas
2022 Tell everybody I'm back in town
Sound Designer:
2016 4 Cuadras
2016 Larga noche
2016 Natura contra Natura
2018 Suicidrag
2018 XXI Century Love
2019 B2
2020 I love to kill
2020 VII Domitilas
2022 Tell everybody I'm back in town
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.