A work in constant progress (and occasional regress).
Alias:
Nastia Korkia
Nastia Korkiya
Nastiya Korkia
Nastiya Korkiya
Nastya Korkia
Настя Коркия
Nastia Korkia is a Germany based artist and filmmaker. Her documentary feature film "GES-2" premiered at 78th Venice Film Festival. Her works were screened at IDFA, Berlin Critics Week, DOK Leipzig, True/False, Sheffield DocFest, among others.
Camera Operator:
2021 GES-2
Director:
2018 Dramatic and Mild
2019 Estoy feliz
2021 Almost Spring
2021 GES-2
2023 Dreams about Putin
2023 You are not here
???? Ein kurzer Sommer
Editor:
2018 Dramatic and Mild
2019 Estoy feliz
2021 Almost Spring
2021 GES-2
2023 Dreams about Putin
2023 You are not here
???? Ein kurzer Sommer
Producer:
2018 Dramatic and Mild
2019 Estoy feliz
2021 Almost Spring
2021 GES-2
2021 Where Are We Headed?
2023 Dreams about Putin
2023 You are not here
???? Ein kurzer Sommer
Screenplay:
2018 Dramatic and Mild
2019 Estoy feliz
2021 Almost Spring
2021 GES-2
2021 Where Are We Headed?
2023 Dreams about Putin
2023 You are not here
???? Ein kurzer Sommer
Writer:
2018 Dramatic and Mild
2019 Estoy feliz
2021 Almost Spring
2021 GES-2
2021 Where Are We Headed?
2023 Dreams about Putin
2023 You are not here
???? Ein kurzer Sommer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.