A work in constant progress (and occasional regress).
Birthplace:
Faro, Portugal
Born:
August 10, 1998
Pedro Horta (born August 10, 1998) is a Portuguese film director, screenwriter, and editor. Born in Faro, Portugal, Horta developed an interest in filmmaking at an early age. He graduated in film directing, where he met Alexandre Costa in 2016 and soon after started to create and co-direct their own projects and support each other. He has already worked with several professional Portuguese actors such as Mariana Monteiro, Cucha Carvalheiro, Eduardo Frazão, João de Brito, Mário Spencer, Sara Vicente and Miguel Ponte in several shortfilms.
Director:
2016 3GO
2018 Ser de Faro é Ser Farense
2018 Solo
2020 Alfredo
2023 Amarrada
Director of Photography:
2016 3GO
2017 Socorro!
2018 Ser de Faro é Ser Farense
2018 Solo
2020 Alfredo
2023 Amarrada
Editor:
2016 3GO
2017 Socorro!
2018 Ser de Faro é Ser Farense
2018 Solo
2019 Se Poirot Estivesse Aqui
2020 Alfredo
2023 Amarrada
Executive Producer:
2016 3GO
2017 Socorro!
2018 Ser de Faro é Ser Farense
2018 Solo
2019 Se Poirot Estivesse Aqui
2020 Alfredo
2023 Amarrada
Screenplay:
2016 3GO
2017 Socorro!
2018 Ser de Faro é Ser Farense
2018 Solo
2019 Se Poirot Estivesse Aqui
2020 Alfredo
2023 Amarrada
Second Assistant Camera:
2016 3GO
2017 Socorro!
2018 Ser de Faro é Ser Farense
2018 Solo
2019 Se Poirot Estivesse Aqui
2020 Alfredo
2023 Amarrada
Writer:
2016 3GO
2017 Socorro!
2018 Ser de Faro é Ser Farense
2018 Solo
2019 Se Poirot Estivesse Aqui
2020 Alfredo
2023 Amarrada
Creator:
2015 Preso no Tempo
Director:
2015 Preso no Tempo
Editor:
2015 Preso no Tempo
Executive Producer:
2015 Preso no Tempo
Writer:
2015 Preso no Tempo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.