A work in constant progress (and occasional regress).
Additional First Assistant Camera:
2023 The Three Musketeers: Milady
First Assistant "A" Camera:
2005 A Muslim Childhood
2023 The Three Musketeers: Milady
First Assistant "B" Camera:
2005 A Muslim Childhood
2023 The Three Musketeers: Milady
2024 The Last Men
First Assistant Camera:
2005 A Muslim Childhood
2005 Kilometer Zero
2006 The Besieged Fortress
2008 White Tuft, the Little Beaver
2011 I Could've Been a Hooker
2022 Our Brothers
2023 The Three Musketeers: Milady
2024 The Last Men
2026 Le Marsupilami
Focus Puller:
2005 A Muslim Childhood
2005 Kilometer Zero
2006 The Besieged Fortress
2008 White Tuft, the Little Beaver
2011 I Could've Been a Hooker
2022 Our Brothers
2023 3 Days Max
2023 The Three Musketeers: Milady
2024 The Last Men
2026 Le Marsupilami
Second Assistant Camera:
2001 Winged Migration
2005 A Muslim Childhood
2005 Kilometer Zero
2006 The Besieged Fortress
2008 White Tuft, the Little Beaver
2011 I Could've Been a Hooker
2022 Our Brothers
2023 3 Days Max
2023 The Three Musketeers: Milady
2024 The Last Men
2026 Le Marsupilami
First Assistant Camera:
2014 Li'l Quinquin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.