A work in constant progress (and occasional regress).
Alexis Ostrander is an award-winning and Emmy nominated director with a penchant for raw, human stories. She is a graduate of Syracuse University and was part of the 40th annual AFI Directing Workshop for Women. Alexis' short film THE HAIRCUT premiered at AFI FEST in 2014 and has played over 45 festivals, garnering 13 awards. Alexis received the Panavision New Filmmaker Grant, Creative District Grant, Impact First Films Grant, and The Caucus for Producers, Writers & Directors Foundation Grant for THE HAIRCUT. She participated as a Clinic Fellow in the 2015 Sundance Female Filmmakers Initiative Financing Intensive. In 2016, she was selected for the Ryan Murphy Half Foundation Mentorship Program and subsequently directed the penultimate episode of AMERICAN HORROR STORY: ROANOKE for FX. She was a participant in the Fox Filmmakers Lab and Fox Global Directors Initiative and was a drama fellow for the apprenticeship program on HOMELAND. Alexis was one of five directors in the inaugural Warner Bros. Emerging Film Directors Workshop and directed a grounded sci-fi short film, SENSUM, which premiered on HBO Go. After completing the 2017 Warner Bros. Television Directors' Workshop, she has directed episodes of RIVERDALE on CW, SHADOWHUNTERS on Freeform, THE ARRANGEMENT on E!, DEADLY CLASS on Syfy, PEARSON for USA, SUPERGIRL for CW, SERVANT for Apple, SWAMP THING for the DC Universe, IMPULSE for YouTube Red and CONDOR for AT&T Audience Network. Alexis directed the pilot, second episode, and finale block of LIGHT AS A FEATHER for Hulu. She is Emmy nominated for Outstanding Directing for a Digital Drama Series for LIGHT AS A FEATHER.
Director:
2017 Sensum
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Director:
2015 Supergirl
2017 SEAL Team
2018 Impulse
2018 Light as a Feather
2019 Deadly Class
2019 Nancy Drew
2019 Pearson
2019 Servant
2019 Swamp Thing
2019 Truth Be Told
2021 Cruel Summer
2021 Sweet Tooth
2022 Interview with the Vampire
2023 Mayfair Witches
2023 The Consultant
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.