A work in constant progress (and occasional regress).
Birthplace:
Belém, Pará
Born:
July 2, 1996
Louise grew up under strong influences from the performing world of the stage, whether in plays performed by her grandmother in cultural festivities on her street where she lived or in the classical dance shows that her mother performed and is still a choreographer to this day. At the age of 18, she fell in love with contemporary dance through the works of Companhia de Dança Ribalta and began to recognize her dancing body, which was present since her birth. Louise in the field of cinema has worked with several areas on the film set, mainly in general and executive production. Girls x3, it was her first project in the role of director, it was extra work for the construction of a general music video tribute to several girls in 2018. Louise Di Fátima graduated in Cinema and Audiovisual from the Federal University of Pará and has been working in audiovisual productions in the region since 2017. She is interested in producing video dances and because of this he started researching choreocinema and Maya Deren, his artistic inspirations.
Art Direction:
2017 Propellers
Assistant Director:
2017 Propellers
2020 A Velha Maria
Continuity:
2017 Propellers
2019 The Broken Bridge of Sunset
2020 A Velha Maria
Data Management Technician:
2017 Propellers
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2020 Grandpa's Last Day as a Doorman
Director:
2017 Propellers
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2020 Grandpa's Last Day as a Doorman
2024 Sharing
Producer:
2017 Propellers
2018 It's a Match!
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2020 Grandpa's Last Day as a Doorman
2023 Operation Guaraná
2024 Sharing
Producer's Assistant:
2017 Propellers
2018 It's a Match!
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2020 Grandpa's Last Day as a Doorman
2023 Operation Guaraná
2024 Love Me As You Should
2024 Sharing
Production Assistant:
2017 Propellers
2018 It's a Match!
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2020 Grandpa's Last Day as a Doorman
2022 Os Fãs Mais Rebeldes Que A Banda
2023 Operation Guaraná
2024 Love Me As You Should
2024 Sharing
Script:
2017 Propellers
2018 It's a Match!
2019 First Day of Summer
2019 The Broken Bridge of Sunset
2020 A Velha Maria
2020 Grandpa's Last Day as a Doorman
2022 Os Fãs Mais Rebeldes Que A Banda
2023 Operation Guaraná
2024 Love Me As You Should
2024 Sharing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.