A work in constant progress (and occasional regress).
Alias:
Ջիվան Ավետիսյան
Birthplace:
Gyumri, Armenia
Born:
November 19, 1981
Jivan Avetisyan, a Berlinale Talents 2020 member, is an international award-winning Armenian film who was born in Gyumri, raised in Artsakh and lives in Yerevan, Armenia. Jivan graduated from Yerevan State University of Theatre and Cinematography in 2007. His filmmaking career began in 1997 as the Lighting Engineer at the Stepanakert Drama Theatre after V. Papazyan and in 2003 he worked his way up to becoming the film and program director at the TV company ‘‘Yerkir Media’’. Jivan's passion for the art of filmmaking continued, and he then served as the main director of ‘Yerkir Media’’. As a child, Jivan Avetisyan grew up during one of the most violent conflicts in the caucuses, and he understands well the brutal consequences of war. Although his own childhood was stripped of playful mischief, instead was laden with the responsibility to protect his family and friends, Jivan did not abandon his dream and passion for filmmaking. Jivan Avetisyan serves as the Executive Director of "Fish eye Art" Cultural Foundation. Since its inception in 2014, the foundation has created three feature films: Tevanik, The Last Inhabitant, and Gate to Heaven. Jivan also founded LifeTree Pictures LLC in 2022. His filmography also includes approximately ten documentaries including Karabakh a Hidden Treasure, and short films including Broken Childhood. He is currently working on the full-length feature films, Revival and Black List, the TV mini-series, The Stateless Diplomat, and the animated film, Baa’bel.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.