A work in constant progress (and occasional regress).
Assistant Director:
2007 Contract Kid: William Reynolds on Douglas Sirk
Executive Producer:
2007 Contract Kid: William Reynolds on Douglas Sirk
2015 The Poet and the Filmmaker: Volker Schlöndorff on Baal
Production Manager:
2002 Fassbinder in Hollywood
2007 Contract Kid: William Reynolds on Douglas Sirk
2009 A Tribute to Douglas Sirk by Allison Anders
2009 Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
2015 Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
2015 Love Letters
2015 The Poet and the Filmmaker: Volker Schlöndorff on Baal
2016 Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
2017 A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
2018 Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
2018 Painting with Light: Nicholas von Sternberg on Josef von Sternberg
2019 The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Sound:
2002 Fassbinder in Hollywood
2007 Contract Kid: William Reynolds on Douglas Sirk
2009 A Tribute to Douglas Sirk by Allison Anders
2009 Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
2015 Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
2015 Love Letters
2015 The Poet and the Filmmaker: Volker Schlöndorff on Baal
2016 Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
2017 A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
2018 Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
2018 Painting with Light: Nicholas von Sternberg on Josef von Sternberg
2019 The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.