A work in constant progress (and occasional regress).
Alias:
Maggie Morgan (II)
Maggie Morgan is an Egyptian filmmaker, writer and teacher. Her first feature film, Asham, did a wide festival tour and was released in Egyptian cinemas in June 2013. The film received prizes for Best Director and Best Editor in the Malmo Arab Film Festival in Sweden 2013, the Special Jury Mention at the Festival International des Films D'Orient in Geneva, among others. She directed her first documentary, The Picture in 2002 and it was shown on various Arab television channels. In 2006, she wrote and directed a medium length fiction, Minhom Feehom From Within: Her Stories, which was released in March 2007. In 2017, she wrote and directed two short films, February 14 and A Live Match on Skype and she completed a documentary, Draz, on the life and works of Azhar scholar Mohamed Abdalla Draz, which has not been released. In 2018, she directed a social media campaign for women's rights, Regala Sanad" which got more than 1.8 million views on Facebook. In 2021, she completed the creative documentary, From Meir, To Meir, which premiered at the Aswan International Women's Film Festival where it received an award. She lives in Cairo where writes and directs films and teaches film as adjunct professor of practice in the film unit at the American University in Cairo since 2006. She is working on her second fiction feature Leila and I, and won two prizes for film development at the Cairo Film Connection of 2019.
Development Producer:
2016 In the Last Days of the City
Director:
2012 Asham
2016 In the Last Days of the City
2021 From Meir, to Meir
2024 The Memories of M. A. Draz
???? The Skylight
Producer:
2012 Asham
2016 In the Last Days of the City
2021 From Meir, to Meir
2024 The Memories of M. A. Draz
???? The Skylight
Writer:
2012 Asham
2016 In the Last Days of the City
2021 From Meir, to Meir
2024 The Memories of M. A. Draz
???? The Skylight
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.