Mateo Márquez

Alias:
Mateo Marquez
Matthew Marquez

Birthplace:
Queens, NY

Mateo Márquez is an award-winning American-Colombian director and writer from Queens, New York City. His body of work includes narrative fiction, branded content, and music videos that have garnered recognition throughout the U.S. and abroad. He holds a Master’s in Directing from the School of Visual Arts and a BA in Film from Hunter College. He was a 2015 BAFTA Scholarship recipient and a 2019 School of Visual Arts Alumni Scholarship Award winner.  His short films have screened at over 30 festivals worldwide including the BFI London Film Festival, Fantasia, HBO NY Latino Film Festival, and Nantes Utopiales Festival International de Science Fiction. They have also been featured on the online horror channel ALTER as well as other prominent online platforms such as Film Shortage, Beyond the Short, and Retrospective of Jupiter. Mateo infuses his love of genre films and traditional dramas to create an intimate visceral storytelling experience.

Additional information:

The Search Form


Colorist:
2019  Hannah for the Weekend
2020  2 Weeks
2020  Sex and the Future
2024  Bar. Boy.

Digital Intermediate Assistant:
2017  Brigsby Bear
2017  Lucky
2017  My Friend Dahmer
2017  Patti Cake$
2017  The Immortal Life of Henrietta Lacks
2017  The Pirates of Somalia
2018  Can You Ever Forgive Me?
2018  Detective Chinatown 2
2018  Dude
2018  Furlough
2018  Life Itself
2018  Like Father
2018  Night Comes On
2018  Skate Kitchen
2018  The Week Of
2019  Being Frank
2019  Dragged Across Concrete
2019  Hannah for the Weekend
2020  2 Weeks
2020  Sex and the Future
2024  Bar. Boy.

Director:
2017  Brigsby Bear
2017  Lucky
2017  My Friend Dahmer
2017  Patti Cake$
2017  The Immortal Life of Henrietta Lacks
2017  The Invaders
2017  The Pirates of Somalia
2018  Can You Ever Forgive Me?
2018  Detective Chinatown 2
2018  Dude
2018  Furlough
2018  Life Itself
2018  Like Father
2018  Night Comes On
2018  Skate Kitchen
2018  The Week Of
2019  Being Frank
2019  Dragged Across Concrete
2019  Hannah for the Weekend
2019  The Quiet
2020  2 Weeks
2020  Sex and the Future
2024  Bar. Boy.

Producer:
2017  Brigsby Bear
2017  Lucky
2017  My Friend Dahmer
2017  Patti Cake$
2017  The Immortal Life of Henrietta Lacks
2017  The Invaders
2017  The Pirates of Somalia
2018  Can You Ever Forgive Me?
2018  Detective Chinatown 2
2018  Dude
2018  Furlough
2018  Life Itself
2018  Like Father
2018  Night Comes On
2018  Skate Kitchen
2018  The Week Of
2019  Being Frank
2019  Dragged Across Concrete
2019  Hannah for the Weekend
2019  The Quiet
2020  2 Weeks
2020  Sex and the Future
2024  Bar. Boy.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.