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Diana Vidrascu

Birthplace:
Romania

Biography from TheMovieDB

Diana Vidrascu is a filmmaker and artist based in Paris, France. In her films, photography and installations, Vidrascu examines analogue film techniques, thereby questioning the cinematic medium's codes and conventions. She debuted as a director with the short films "What Time Is Made Of" and "Gylfaginning" (2017), both of them shown at international festivals. Her "Silence of the Sirens" (2019) premiered at IFFR Rotterdam and was presented as a film installation in the Berlinale Forum Expanded.

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Film Production

Cinematography:
2011  Visiting Room
2018  The Seagull
2019  Silence of the Sirens
2022  Like an Island
2022  The Cry of Granuaile

Director:
2011  Visiting Room
2017  What Time Is Made Of
2018  The Seagull
2019  Silence of the Sirens
2019  Volcano: What Does a Lake Dream?
2022  Like an Island
2022  The Cry of Granuaile

Director of Photography:
2011  Visiting Room
2017  What Time Is Made Of
2018  The Seagull
2019  Silence of the Sirens
2019  Volcano: What Does a Lake Dream?
2022  Like an Island
2022  The Cry of Granuaile

Editor:
2011  Visiting Room
2017  What Time Is Made Of
2018  The Seagull
2019  Silence of the Sirens
2019  Volcano: What Does a Lake Dream?
2022  Like an Island
2022  The Cry of Granuaile

Producer:
2011  Visiting Room
2017  What Time Is Made Of
2018  The Seagull
2019  Silence of the Sirens
2019  Volcano: What Does a Lake Dream?
2022  Like an Island
2022  The Cry of Granuaile

Screenplay:
2011  Visiting Room
2017  What Time Is Made Of
2018  The Seagull
2019  Silence of the Sirens
2019  Volcano: What Does a Lake Dream?
2022  Like an Island
2022  The Cry of Granuaile

Sound:
2011  Visiting Room
2017  What Time Is Made Of
2018  The Seagull
2019  Silence of the Sirens
2019  Volcano: What Does a Lake Dream?
2022  Like an Island
2022  The Cry of Granuaile

Writer:
2011  Visiting Room
2017  What Time Is Made Of
2018  The Seagull
2019  Silence of the Sirens
2019  Volcano: What Does a Lake Dream?
2022  Like an Island
2022  The Cry of Granuaile

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.