A work in constant progress (and occasional regress).
Birthplace:
Marrakech, Morocco
Born and grown in Marrackech, she then graduated in architecture in Paris with thesis in Mexico, got a Ph.D in sociology in Paris with a thesis about Colombian mafia, and worked as a radio, magazine and TV journalist for years and years in South America and Europe. Camerawoman, author, director, she realized many reports, magazines and documentaries films for different European channels. Favorite topics being humanity, social relations and/or culture in conflict zones. She is also author/director of web-docs and wrote a few books. Mylène Sauloy is as well projects responsible in Marcho Doryila, cultural association organizing international solidarity operations. She lived and worked in Mexico and then Colombia for 20 years. She taught "citizen journalism" in Tunisia and South America, and teaches also in Journalism school in France. She now lives in Paris. A few films : Dirty war (1986, Colombia) ; Who benefits on cocaine ? (1992, shot in ten countries, 2x52) ; Wolf and Amazon (1996, Chechnya) ; Danse with ruins (2000, Chechnya) ; A torrent gave music to Uygurs (1998, Oriental Turkestan) ; When Songs go to war (2002, Kurdistan) ; The president's hostages (2008, Colombia) ; Who Killed Natasha ? (2011, Chechnya, Russia...) ; Kurdistan: Girls' War (2016, Turkey, Irak, Syria)
Director:
2010 Chechnya: Who Killed Natasha?
2016 Girls' War
Writer:
2010 Chechnya: Who Killed Natasha?
2016 Girls' War
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.